A real-world territory capture game played on public payphones. Register an agent, get a PIN, find a payphone, call in, and claim it. Build triangles between captured phones to control territory and climb the leaderboard. Ben can be heard as HyperHawk, one of the operators who answers each phone call made within the game. This involved creating over 400 separate audio files.

A friend of ours, Gerry, has a band called Avarice in Audio. Ben used to be in this band. So, when Gerry needed a music video, Ben cracked out the camera and helped him to make what could be considered a visual representation of War Tanz. It finished as it started, with a statement on the underwhelmingly formulaic simplicity of ideals and ethos' rooted within industrial/dark electro music: sex, death, and lightbulbs.

A friend of ours, Gerry, has a band called Avarice in Audio. Ben used to be in this band. So, when Gerry needed a music video, Ben cracked out the camera and helped him to make what could be considered a visual representation of War Tanz. It finished as it started, with a statement on the underwhelmingly formulaic simplicity of ideals and ethos' rooted within industrial/dark electro music: sex, death, and lightbulbs.

Unique and bespoke performer routines blending wildly different songs like they were meant to be together, throwing in my own twists, and little bits of pure audio magic and chaos. Clients have included Louie Oddity (pictured), Aurora Enchanta and Vamp.

The Babadook lives a lonely life until he meets sassy drag queen Janet. Made by Rad Bad Mad Productions, a team of spirited amateur filmmakers based in Northern Tasmania, BABASHOOK is a loving parody of the classic Australian horror movie THE BABADOOK (Jennifer Kent, 2014). I was super keen to work with them on this project, and was brought on as the audio engineer for this film. This included all foley, some musical elements and the final audio mix.

I teamed up with my co-host Patch to create a special guided meditation for Twitch streamer TechnicallyCute's wedding. I wrote the backing music, they did the talking, and I mixed it to perfection, all for a New York wedding.

I've fulfilled so many silly requests. An EDM remix of The Wiggles' Who's In The Wiggle House (for MKOHomemadeDesigns), a snail version of Welcome To The Black Parade (for TheOllieEdit, pictured), and I've got the Tokyo Drift theme as if it were written by Belle & Sebastian in the works... I love a challenge.